Besides the people in the carnival drunk, a lot. Secondly The vaults the place where many types of different kinds of wine help Montresor to lure his friend and drag him underground to bury him alive without being suspected to be full impunity. In the end, this story is one of the most popular revenge stories all over the world.
Beside his smartness choosing of the crime place and time all this elements more horror, distinguish and valuable. This essay has been submitted by a student. This is not an example of the work written by our professional essay writers.
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Hire writer. Essay due? We'll write it for you! Any subject Min. As the predator Montresor and prey Fortunato walk through the streets, Montresor creates an excessive level of comfort for Fortunato by coaxing his ego and telling him that only he has the expertise to test the quality of the amontillado wine. Fortunato is described as a man of excess, gullible, and lacking inquiry. An excess of Ego leads to a heightened state of pleasure seeking behavior. The goal of the Ego is the attainment of satisfaction, and a desire to avoid pain.
Though the Ego engages in secondary thought processes, which is rational and realistic, instead, Fortunato exhibits illogical thought processes. Due to his lack of inquiry and inability to consider the possibility of Montresor fostering alterior motives, Fortunato is reflected to the reader in a one-dimensional manner. His inability to successfully mediate between his relish for pleasure and the necessity of imploring higher-level thought processes illustrates an imbalance between the id, ego, and superego.
His lack of inquiry adds to his characterization as a flat character with the inability to garner sympathy from the readers. As for the role of the reader, due to the omission of numerous details, a reader must assume the role of detective. The removal of logic and understanding creates an eerie framework in which the inexplicable leads to feelings of terror, as the realm of the unknown is breeched. Further complicating the narrative is the level of information provided to the reader, placing him or her in a higher level of understanding than the character, Fortunato.
While smiling at Fortunato and complimenting his knowledge, Montresor communicates his true intention to kill him to the reader This inability to decipher between reality places the reader in a state of distraught while creating sensory overload as the reader anxiously attempts to make sense of the unfathomable events taking place. Unfathomable elements are what lead to feelings of terror and fright, when reason appears to have vanished.
In this respect, setting the story during Carnival allows Poe to enact revenge, with disregard to the immoral act of murder. This playful tone evokes the imagination while implicating the reader into the role of a co-conspirator. Through this blurring of realms of existence the readers become lost in the narrative and are especially persuaded when encountering a rhetorician as effective and influential as Montresor.
John A. Fortunato is only related to the reader—through the narration of Montresor—as a pompous, self-consumed man, which creates a divide between himself and the reader. Through wit, puns, and satire, Montresor successfully dehumanizes Fortunato. Yet, his ability to calmly describe his carefully orchestrated motive should immediately cause fear and terror due to recognizing a man devoid of conscience. Therefore, as opposed to experiencing terror through the eyes of Fortunato, the reader experiences the terror on a heightened sensory level as if it is the reader travelling the streets, dressed as a fool, entering the catacombs.
Yet, it is the moment of revelation when Montresor quickly shackles Fortunato to a wall and begins constructing a wall—a task Fortunato previously thought Montresor was incapable of due to not being a known masonry. The matter is serious but the way it is being explained is satirical.
The terror slowly unraveled in puns and the setting of carnival in which social conventions are forgotten and the fleshly appetities are satiated. His echoing the screams and cries of Fortunato is the actions of a maniacal individual. This story is what nightmares are made of. This is not taking place amongst supernatural creatures but between men, with one blinded by vengeance and the other blinded by pleasurly pursuit and conceit.
Ammary, Silvia. Penn State University Press. Baraban, Elena, V. Bloom, Clive. New York: Bloomsbury Academic Publishing, Cavallaro, Dani. New York: Bloomsbury Academic, Dern, John A. Martin, Terence. Poe, Edgar Allan. Thompson, G. It is actually rather plain for Poe.
It is quite straightforward and lacks the focus on personal horror or terror that many of his similar stories imbue. Like, grow some balls Montresor. Quality analysis. This is such a horrifying tale because the narrator is relaying the story in a calm manner, yet his actions prove him to be a sinister and deranged man.
Great article! Poe is on of my favorite authors. I mean how bad of a thing could someone really do to deserve such a penalty. Maybe I will have to read it twice, or I am simply not that impressed by this highly praised author.
I like darker stories because they keep me interested, and always have me on the edge of my seat. Although this story was very dark and odd, it did keep me interested. I love the language Poe uses in all of his stories, especially this one.
This is not right. One thing that surprised me was how mad the narrator got over a simple offense. Poe and Shakespeare encouraged me, at a young age, to get out the big dictionary and learn new words and enjoy words. The ultimate evil in the story turns out to be a very human monster— quite an apt metaphor. Horror stories often contain scenes in cemeteries.
Poe took readers a giant step farther into creepiness in his short story "The Cask of Amontillado" by situating it deep underground, in dark, damp catacombs littered with skeletal remains.
A fictional setting encompasses not only the time, place and geographical location in which a story occurs, but also its cultural context. A significant part of the horror in "The Cask of Amontillado" is that it occurs beneath streets where throngs of people are partying to celebrate carnival -- or Mardi Gras -- before the social restrictions of the Roman Catholic season of Lent.
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